{"id":2304,"date":"2024-09-03T13:39:59","date_gmt":"2024-09-03T11:39:59","guid":{"rendered":"https:\/\/le-rite.fr\/?p=2304"},"modified":"2024-09-03T13:40:26","modified_gmt":"2024-09-03T11:40:26","slug":"repertoire-college-et-lycee","status":"publish","type":"post","link":"https:\/\/le-rite.fr\/index.php\/2024\/09\/03\/repertoire-college-et-lycee\/","title":{"rendered":"R\u00e9pertoire Coll\u00e8ge et Lyc\u00e9e"},"content":{"rendered":"\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>R\u00e9pertoire Coll\u00e8ge<\/strong><br><strong>(Grandes formes de 45\u2019 avec plus de 90 heures de pr\u00e9paration)<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><br><strong>Les Mandibules<\/strong> Louis Calaferte<br><strong>Lapin, Lapin<\/strong> Coline Serreau<br><strong>Le Dragon<\/strong> Evgueni Schwartz<br><strong>Le Testament du chien<\/strong> Ariano Suassuna<br><strong>L\u2019\u00e9l\u00e9phant d\u2019or<\/strong> Kopkov<br><strong>Turandot<\/strong> Gozzi \/ Puccini<br><strong>Les loups<\/strong> Jean-Paul Al\u00e8gre<br><strong>Les 400 coups<\/strong> Fran\u00e7ois Truffaut<br><strong>Hamlet<\/strong> Shakespeare<br><strong>MacBett<\/strong> Ionesco<br><strong>La boutique de pain<\/strong> Brecht<br><strong>La jeune fille, le diable et le Moulin<\/strong> Olivier Py<br><strong>Plutos<\/strong> Aristophane<br><strong>A la volont\u00e9 du people<\/strong> Autour de Victor Hugo<br><strong>Le collier de perle du Gouverneur Lin Qing<\/strong> Eudes Labrusse<br><strong>Katak<\/strong> Karin Serres<br><strong>Le Roi nu<\/strong> Evgueni Schwartz<br><strong>Pinocchio<\/strong> Collodi<br><strong>La visite de la vieille dame<\/strong> Durrenmatt<br><strong>Rom\u00e9o et Juliette<\/strong> Shakespeare<br><strong>La cath\u00e9drale <\/strong>R\u00e9gis Duqu\u00e9<br><strong>La robe de Gulnara<\/strong> Isabelle Hubert<br><strong>Si on jouait aux Atrides ?<\/strong> Contamin \/ Eschyle \/ Py<br><strong>Le crocodile (sur le monde du travail)<\/strong> Pierre Lorquet<br><strong>Pourquoi ai-je \u00e9pous\u00e9 un ogre ?<\/strong> D\u2019apr\u00e8s Marie-Fortecuisse de N. Rafal<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>PETITES FORMES COLL\u00c8GE<\/strong><br><strong>(25\u2019 de jeu avec 30H de pr\u00e9paration) Montages th\u00e9matiques \/ Floril\u00e8ges de sc\u00e8nes autour d\u2019un auteur \/ Conte)<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Et puis Monsieur, Madame, Mademoiselle (sur Ionesco)<br>Cent ans de cinema<br>Moli\u00e8re imaginaire<br>Looking for Shakespeare<br>Autour du masque<br>Des frites des frites (sur la nourriture)<br>Sporting block (sur le sport)<br>Les h\u00e9ros (d\u2019apr\u00e8s R\u00e9gis Duqu\u00e9)<br>Le triangle racinien (autour de Racine)<br>Le monde de Tintin<br>Je me meurs, j\u2019expire (La mort au th\u00e9\u00e2tre)<br>Dura lex sed lex (sur l\u2019autorit\u00e9)<br>Le barom\u00e8tre des sentiments (relations gar\u00e7ons filles)<br>Philofables d\u2019apr\u00e8s le livre de Michel Piquemal<br>La d\u00e9mone (conte hindou)<br>Mongol (d\u2019apr\u00e8s Karin Serres) : sur la diff\u00e9rence<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>R\u00e9pertoire Lyc\u00e9e (formes de 40\u2019)<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><strong>L\u2019\u00e9veil du Printemps<\/strong> Wedekind<br><strong>Pionnier \u00e0 Ingolstadt<\/strong> Marie Luise Fleisser<br><strong>Le voyage de Pierre<\/strong> Lheureux Strindberg<br><strong>La petite voleuse<\/strong> Truffaut<br><strong>Le Revizor<\/strong> Gogol<br><strong>Football<\/strong> Christian Rullier<br><strong>La ville parjure<\/strong> H\u00e9l\u00e8ne Cixous<br><strong>La boutique de pain<\/strong> Brecht<br><strong>L\u2019augmentation<\/strong> Georges P\u00e9rec<br><strong>Le roi Lear<\/strong> Shakespeare<br><strong>La langue des Vilains<\/strong> Dario Fo \/ Novarina<br><strong>Les chaises ont quatre pieds<\/strong> la vie au lyc\u00e9e<br><strong>Le songe d\u2019une nuit d\u2019\u00e9t\u00e9<\/strong> Shakespeare<br><strong>Par dessus bord<\/strong> Michel Vinaver<br><strong>L\u2019op\u00e9ra du Dragon<\/strong> Heiner Muller<br><strong>Ma famille<\/strong> Carlos Liscano<br><strong>Timon d\u2019Ath\u00e8nes<\/strong> Shakespeare<br><strong>Avoir <\/strong>Julius Hay<br><strong>Le grand cahier <\/strong>Agota Kristof<br><strong>Candide <\/strong>Voltaire<br><strong>Le sacrifice des Anges<\/strong> Fran\u00e7oise Gerbaulet<br><strong>La bonne \u00e2me du Setchuan<\/strong> Brecht<br><strong>Pinocchio<\/strong> Pommerat<br><strong>Circus Mundi<\/strong> Thierry Simon<br><strong>Une histoire \u00e0 vieillir debout<\/strong> Carole Prieur<\/p>\n","protected":false},"excerpt":{"rendered":"<p>R\u00e9pertoire Coll\u00e8ge(Grandes formes de 45\u2019 avec plus de 90 heures de pr\u00e9paration) Les Mandibules Louis CalaferteLapin, Lapin Coline SerreauLe Dragon Evgueni SchwartzLe Testament du chien Ariano SuassunaL\u2019\u00e9l\u00e9phant d\u2019or KopkovTurandot Gozzi \/ PucciniLes loups Jean-Paul Al\u00e8greLes 400 coups Fran\u00e7ois TruffautHamlet ShakespeareMacBett IonescoLa boutique de pain BrechtLa jeune fille, le diable et le Moulin Olivier PyPlutos AristophaneA [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[],"class_list":["post-2304","post","type-post","status-publish","format-standard","hentry","category-bibliographie"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - 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